Combat Sports & PPV
Fight cards, produced for pay-per-view.
Your fighters sell the card. The broadcast has to close the deal. AVP.Live produces multi-camera fight coverage with walkout production, instant replay, commentary audio, and PPV delivery engineered to hold when the buys are live. MMA, boxing, kickboxing, grappling. Based in New Jersey, ringside anywhere.
The problems we take off your plate
A fight card is the hardest live product there is. The action is fast, the angles matter, and the audience paid up front. One locked camera misses the finish. A stream that buffers during the main event turns buyers into refund requests. Walkouts with no music, no lighting cue, and no camera on the tunnel flatten the moment you built the whole card around. And when the broadcast looks amateur, the next card is harder to sell. We fix that. A director cutting operated cameras around the cage or ring. Replay on the knockdown and the finish. Walkouts produced like the fighter deserves. Commentary that carries the card between rounds. And under all of it, an engineered signal path with backups, because refunds are not a growth strategy.
What we produce
Every production includes a technical director, operated cameras, program audio, tale-of-the-tape and round graphics, full recording, and an engineer watching the feed from the first prelim to the final decision.
PPV fight cards
Multi-camera coverage, replay, graphics, commentary, and gated pay-per-view delivery. The full broadcast.
Walkout production
Music, lighting cues coordinated with your venue, a camera in the tunnel, and the entrance cut like a television moment.
Commentary and announce audio
Positions, headsets, and a broadcast mix for your talent or announcers we can recommend.
Weigh-ins, pressers, and prelims
Free-to-social lead-in content that sells buys for the main card.
Grappling and tournament formats
Multi-mat coverage with per-mat feeds when the bracket demands it.
Ticketing and PPV, handled
When the card runs a gate, ticketing and pay-per-view run on our separate streaming platform, stream.avp.live, with per-fighter sales attribution. Replays live there too and keep earning after the card. Ask when you call.
What we bring
Cameras
Operated broadcast cameras at ringside and high positions, plus PTZ units for the angles a crew can't stand in.
Switching
A production switcher run by a TD who has cut fights before. Timing matters when the finish takes four seconds.
Replay
Instant replay with slow motion, run by a dedicated operator. The knockdown, again, from the right angle.
Graphics
Tale of the tape, round cards, records, sponsor spots. Your promotion's brand, not a template.
Audio
Commentary positions, corner and crowd mics, walkout music integration, mixed for broadcast by a Dante-certified engineer.
Connectivity
Bonded cellular, Starlink, and redundant encoders. Fight venues have famously bad internet. We assume it.
Comms
Professional intercom tying director, cameras, replay, and your matchmaker's table into one conversation.
How we produce it
The owned capability stack behind this work, each documented in depth.
Video Replay
Instant replay with slow motion. The moment, again, from every angle.
Broadcast Graphics
Scorebugs, lower thirds, sponsor cards. Rendered live, on brand.
Audio Production
The room mix and the broadcast mix, treated as two different jobs.
Event Networking & Connectivity
Bonded connections, backup encoders, parallel records. The show stays on air.
What happens after you call
- 01
Same day
You talk to a real person, usually the first time you call.
- 02
A 15-minute rundown
Venue, card size, ticketing, PPV price point. You ask us anything.
- 03
The site check
In person or virtual. We map cameras, connectivity, the announce position, and the walkout.
- 04
Your plan and quote, in writing
Camera plan, run-of-show, redundancy plan, one price. No mystery line items.
- 05
You lock the date
From there, the broadcast is our job and the card is yours. Stop at any step and keep the plan; it's yours either way.
Why AVP.Live
The part you don't see is the part that matters: before fight week, an engineer plans the signal path. Every input, every backup, every failure point. Cameras are expected. Engineering is the difference.
Engineered for paid audiences
Redundant encoding, monitored delivery, parallel records. When viewers paid, failure is not an option, so we design like it isn't one.
We produce fights, not just events
Walkouts, replay timing, commentary pacing. Combat has its own broadcast grammar and our crew speaks it.
Our gear, our people
We own the equipment and employ the operators. Fight night is not the night to meet rented strangers.
Promoter-speed
Cards come together late. We answer the phone, quote fast, and hold dates when we say we will. Fully insured, so your venue's paperwork is easy.
Know what you're hiring
A videographer sends you files next week. A rental house drops off cases. A one-person stream is one angle and one point of failure with money on the line. A PPV broadcast is a different job, and if your show honestly doesn't need it yet, we'll tell you that on the first call and tell you what to do instead.
When the cage door shuts and the buys are live, you want a crew that has done this before.
What clients say
5.0 from 14 reviews on Google
Working with AVP has been an absolute pleasure!! We have done 5 events with them so far and the production vaule has gone up everytime. If its the video / production its self or the easy access for all of our fans and customers access to tickets and streams. AVP is a must have for any event in the area
What moves the price
Our multi-cam PPV package is a fixed structure: cameras, crew, replay, graphics, commentary audio, and gated delivery, priced per card. What moves the number:
- Camera count. Most cards run four to six: two ringside, a high wide, tunnel, and roaming.
- The card itself: bout count, prelims streamed free to social, and whether weigh-ins and pressers are covered.
- Walkout production: music, lighting cues, and the tunnel camera, rehearsed with your team.
- Connectivity: what the venue survey finds decides how much backup the uplink needs.
- Ticketing and PPV structure, when the card runs a gate on our separate platform.
Rates on request. Call (848) 279-9164 and you will get a straight number on the phone, not a form and a follow-up email.
Common questions
+Can you stream PPV from a venue with bad internet?
Yes. We bring bonded cellular uplinks, Starlink, and backup encoders. We survey connectivity before fight week and design for the worst case.
+How does the PPV money work?
Buys run through our separate streaming platform, with transparent reporting and per-fighter attribution, and payout terms in writing before the card. The platform is its own product; ask on the call and we will walk you through it.
+Do you provide commentators?
We provide the positions, headsets, and broadcast mix. Talent can be yours, or we can recommend announcers we've worked with.
+Can you produce the walkouts?
Yes. Music playback, coordination with venue lighting, a tunnel camera, and cues rehearsed with your staff before doors.
+How many cameras does a fight card need?
Most cards run four to six: two ringside, a high wide, tunnel, and roaming. The site check turns that into a real plan for your venue.
+Can prelims stream free while the main card is PPV?
Yes, and it sells buys. Free prelims to social with a gate on the main card is a setup we run often.
+What about commissions and venue requirements?
We're fully insured and can provide COIs to your venue and documentation your commission asks for. We've worked regulated cards before.
+Do we get the footage?
Always. Full program recording, plus isolated feeds when your package includes them. Fighter highlight clips are an easy add-on.
Tell us about your card
Most promoters prefer to talk: (848) 279-9164. We move at fight-week speed, quote fast, and hold dates when we say we will.